Though its narrative and level design sometimes get in the way, the entire package is still a setpiece-filled action romp and one of the year's best shooters.
Though its narrative and level design sometimes get in the way, the entire package is still a setpiece-filled action romp and one of the year's best shooters.
Its adorable aesthetic and wordless storytelling make this brief adventure one worth sharing with family or a friend, but its distant camera angle and visual filters were frustrating obstacles on an otherwise picturesque road.
Though many of the series’ core elements remain intact, Gearbox has refined and reconfigured them in such ways that Borderlands 4 rises beyond anything the series has accomplished to this point.
Hell is Us isn’t perfect, but it’s a bold and respectable debut that largely delivers on its puzzle-solving promise, despite middling combat and uneven storytelling.
If you’re in the mood for something that recalls games like Resident Evil 4 and Dead Space, Cronos might hit the spot. But it’s not without its pain points.
This finale is a fitting tribute to Clementine and her journey, but it also is inconsistent in quality and suffers from some narrative missteps that are impossible to ignore.
In terms of open-world game design, World Seeker isn’t an innovator, but it borrows and re-imagines familiar mechanics well (from the Batman: Arkham games, in particular) and proves why they are perfect for the One Piece universe.
For all the harm the middling presentation does to Jump Force, the fighting does have satisfying explosive moments and the online versus mode does work well.
While the neon-hued flora and mutated fauna successfully shake up the landscape, the superficial progression changes and formulaic story do little to accentuate this new coat of paint.
