Nioh 3's consistently rewarding approach to open-world design, combined with its entertaining Ninja gameplay style, cements it as the best entry in the franchise.
High on Life 2 is the kind of game that you can put on, laugh at for a while, and forget what's troubling you, even though reminders might slip in through the pointed social commentary.
This series hasn't diverged wildly from its roots, but at least it's finally fashioned itself into the creative, trick-filled game it was always supposed to be.
This series hasn't diverged wildly from its roots, but at least it's finally fashioned itself into the creative, trick-filled game it was always supposed to be.
Silent Hill: Downpour is a more
balanced effort than previous entries, but an unfocused story, miserable combat, and general
lack of creepiness restrict the game to a limbo of mediocrity.
Silent Hill: Downpour is a more
balanced effort than previous entries, but an unfocused story, miserable combat, and general
lack of creepiness restrict the game to a limbo of mediocrity.
Mass Effect 3 shows us how great
the Reaper threat is both to the inhabitants of this fictional universe and
to the players who must face off against it.
Trapdoor's XBLA title features unique gameplay mechanics and a distinct art style, but the
experience becomes tiresome after the first couple of hours.
