This 2D action roguelike encapsulates the main critique of Swery and Suda51’s works: an abundance of surreal humor and style, but severely lacking in polished substance.
This 2D action roguelike encapsulates the main critique of Swery and Suda51’s works: an abundance of surreal humor and style, but severely lacking in polished substance.
The absolute glut of content is impressive and intimidating all at once, and NBA 2K26’s on-the-court performance is so good that it’s worth the annoyances that come with the franchise.
This sequel arrives with the signature dark flair of the original,
but stripping off the stylish straightjacket reveals unstable gameplay
that will disappoint all but the staunchest fans of the original.
Armageddon is an unimaginative shooter, showing more creativity in
Darius’ tribal tattoos than in any of its combat scenarios. If you’re
looking for a memorable Red Faction experience, you’re better off
playing Guerrilla again.
Armageddon is an unimaginative shooter, showing more creativity in
Darius’ tribal tattoos than in any of its combat scenarios. If you’re
looking for a memorable Red Faction experience, you’re better off
playing Guerrilla again.
Armageddon is an unimaginative shooter, showing more creativity in
Darius’ tribal tattoos than in any of its combat scenarios. If you’re
looking for a memorable Red Faction experience, you’re better off
playing Guerrilla again.
Infamous 2 sacrifices its narrative flow for more fantastic elements. This
isn’t a necessarily a bad thing; it just ends up being more about the
action and random moments than Cole’s journey.
L.A. Noire uses Rockstar’s familiar
open-world template as a jumping off point to deliver a deliberately
paced adventure game that stresses conversation over gunplay.
